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Rory Gallagher

Rory Gallagher

William Rory Gallagher (/ˈrɔːri ˈɡæləhər/ GAL-ə-hər; 2 March 1948 – 14 June 1995) was an Irish blues and rock guitarist, singer, songwriter, and producer. Born in Ballyshannon, County Donegal, and brought up in Cork, Gallagher formed the band Taste in the late 1960s and recorded solo albums throughout the 1970s and 1980s. His albums have sold over 30 million copies worldwide.

Gallagher toured under his own name, hiring former Deep Joy bass player Gerry McAvoy to play on Gallagher’s self-titled debut album, Rory Gallagher.

It was the beginning of a twenty-year musical relationship between Gallagher and McAvoy; the other band member was drummer Wilgar Campbell. The 1970s were Gallagher’s most prolific period. He produced ten albums in that decade, including two live albums, Live in Europe and Irish Tour ’74. November 1971 saw the release of the album Deuce.

In the same year he was voted Melody Maker’s International Top Guitarist of the Year, ahead of Eric Clapton. However, despite a number of his albums from this period reaching the UK Albums Chart, Gallagher did not attain major star status.

Gallagher played and recorded what he said was “in me all the time, and not just something I turn on …”. Though he sold over thirty million albums worldwide, it was his marathon live performances that won him greatest acclaim. He is documented in Irish Tour ’74, a film directed by Tony Palmer.

During the heightened periods of political unrest in Northern Ireland, as other artists were warned not to tour, Gallagher was resolute about touring Ireland at least once a year during his career, winning him the dedication of thousands of fans, and in the process, becoming a role model for other aspiring young Irish musicians.

Gallagher admitted in several interviews that there were not any international Irish acts until Van Morrison and he, and later Phil Lynott and Thin Lizzy. The line-up which included Rod de’Ath on drums and Lou Martin on keyboards, performed together between 1973–1976. However, he eventually dropped down to just bass, guitar and drums, and his act became a power trio. Other releases from that period include Against the Grain, Calling Card, Photo-Finish, and Top Priority.

In January 1975, when the Rolling Stones gathered in Rotterdam, Netherlands, to continue working towards their album Black and Blue they auditioned new guitarists, to replace Mick Taylor, as they recorded. Gallagher went over for a jam with the band “just to see what was going on,” but did not join the group, happy with his solo career.

Gerry McAvoy has stated that the Gallagher band performed several TV and radio shows across Europe, including Beat-Club in Bremen, Germany and the Old Grey Whistle Test. He recorded two “Peel Sessions” (both February 1973 and containing the same tracks), but only the first was broadcast. Along with Little Feat and Roger McGuinn, Gallagher performed the first Rockpalast live concert at the Grugahalle, Essen, Germany in 1977.

Gallagher collaborated with Jerry Lee Lewis and Muddy Waters on their respective London Sessions in the mid-1970s. He played on Lonnie Donegan’s final album.

In the 1980s he continued recording, producing Jinx, Defender, and Fresh Evidence. After Fresh Evidence, he embarked on a tour of the United States. In addition he played with Box of Frogs, a band formed in 1983 by former members of The Yardbirds. Becoming obsessive over details and plagued by self-doubt, Gallagher nevertheless retained a loyal fanbase. During this period he stated “I agonize too much”.

Gallagher received a liver transplant in 1995, but died of complications later that year in London at the age of 47.

Notes From San Francisco, an album of unreleased studio tracks and a San Francisco 1979 concert, was released in May 2011.

Rory Gallagher guitar tabs

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Patrick Rondat

Patrick Rondat

Patrick Rondat (born 12 October 1960) is a French guitarist. He plays instrumental heavy metal associated with diverse influences such as new-age music, progressive metal, classical music and jazz. He has collaborated on various projects with Jean Michel Jarre and has taken part in some of his shows.

Patrick Rondat started playing guitar in 1978, at the age of 17, after being inspired by listening to a recording of Ronnie Montrose in a record shop. Rondat’s formative influences included Al Di Meola and Yngwie Malmsteen.

He has played with Elegy, Consortium Project, Red Circuit, G3 with Joe Satriani and Steve Vai, and Jean-Michel Jarre. He is also featured on the song “Rainmaker” on Vanden Plas’ Spirit of Live album. He participated in the compilation Hard-Rock Rendez-Vous (Vogue, 1989), which made him known to a wider audience, and began a French tour with Blue Öyster Cult. The release of the debut solo album Just For Fun confirmed his position as a leader of French instrumental metal.

He began touring with Rape of the Earth (Vogue / Music For Nations 1991). His first two albums were distributed internationally, and he was involved in a live show for BBC Radio 1 in London. Although still relying on technical prowess, each album presented an evolution with more mature and accomplished compositions.

Alongside his solo career, Rondat has worked with other artists. The meeting with Jean-Michel Jarre in 1991 opened new horizons in Rondat’s music. After his participation in Monsters of Rock France at the Hippodrome de Vincennes in September 1991 (AC/DC, Metallica, Queensrÿche etc.), he began working with Jarre, recording the album Chronologie which led to participation in an impressive series of concerts around the world, including one at Wembley Stadium in 1993.

This meeting also led to the recording of Amphibia (FDM 1996), produced by Jarre, on which Rondat is accompanied by Tommy Aldridge and Patrice Guers. This album continues the musical change in Rape of the Earth where the compositions of progressive influences are affirmed in an adaptation of Vivaldi’s landmark “Presto” (“Vivaldi Tribute”).

Other artists have crossed his path on several occasions, including Tony Mac Alpine, Simon Phillips, Steve Lukather, Stu Hamm (Cannes music passion) and Gary Moore (BBM) for whom Rondat was an opening act at the Zénith Paris, then he was invited to join Joe Satriani’s G3 tour (1998) with Michael Schenker, for 14 very memorable shows.

In 1999, Rondat released On the Edge (FDM), a transition album exploring other musical worlds. Along with Rondat, Tommy Aldridge, and Patrice Guers, two other prestigious musicians were invited: Didier Lockwood and Michel Petrucciani.

During this period, Rondat began a collaboration with English singer Ian Parry, participating in the Consortium Project. He recorded two albums and toured Europe together with Patrice Guers (who would join Rhapsody a few years later), Dirk Bruinenberg (drummer of Elegy), Stephan Lill, and Gunter Verno (Vanden Plas). After this positive experience, Rondat joined the Dutch group Elegy for two albums, followed by a tour around the world.

Jean-Michel Jarre then planned new gigs in which Rondat was involved: Athens (Acropolis, 2001), Beijing (Forbidden City, 2004, Universal DVD), Monaco (Salle des étoiles, 2005) and Gdansk (Space of Freedom concert, 2005). During this time, Rondat prepared his new solo album An Ephemeral World (2004 NTS), a concept album evoking the ephemeral nature of things. Regarded by many as his most successful album, it confirmed its qualities as a composer and outstanding instrumentalist. There was then a tour with the band Freak Kitchen, and Manu Martin joined in on keyboards to reinforce the band.

Upon the encounter with classical pianist Hervé N’Kaoua in 2008, a collaborative work started which required, coming from the “rock” world, discipline and humility from Rondat. The duo, coming from apparently conflicting cultures, offered a new perspective on sonatas for piano and violin (Fauré / Beethoven), and also pieces for orchestra (“Winter”, from Vivaldi’s The Four Seasons). The recording of this album was followed by concerts in France and Italy in 2009, and XIII Bis Records released a 5-CD box set retracing his career (Just For Fun, Rape Of The Earth, An Ephemeral World, Patrick Rondat – Hervé N’Kaoua, and a disc of live tracks).

For over twenty years, Rondat has also been dedicated to teaching and considers it essential to transmit and share his musical legacy. Thus he was involved in workshops and master classes in France and abroad, and has recorded an instructional DVD (Virtuosity and Velocity, 1997). Both Harrison Ford and Hugh Grant, have mentioned him as being one of their favourite music artists.

Patrick Rondat has his signature Ibanez guitar signatur the PRM1X model.

Patrick Rondat guitar tabs

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Racer X

Racer X

Racer X was an American heavy metal band formed in 1985 in Los Angeles, California. The group has gone through a hiatus, and a few lineup changes with bassist Juan Alderete and vocalist Jeff Martin being the sole constant members. The band is signed to Shrapnel Records.

Guitarist Paul Gilbert first gained notoriety when he was featured in Mike Varney’s Spotlight Column in the February 1983 issue of Guitar Player magazine. Gilbert was 16 years old and was living in Greensburg, Pennsylvania. He later moved to Los Angeles and enrolled at the Guitar Institute of Technology (GIT), part of the Musicians Institute.

After graduating from GIT, Gilbert was hired as an instructor and recorded the album “Trouble In The Streets” with Los Angeles metal band Black Sheep, released on Enigma Records in November 1985. While at GIT, Gilbert met fellow student Juan Alderete. Searching for a drummer, Alderete and Gilbert sought the services of fellow student Harry Gschoesser.

After acquiring Gschoesser, Gilbert, with the help of Varney, recruited Jeff Martin of the Phoenix metal band Surgical Steel. Martin, who still lived in Phoenix and could not regularly write songs with Racer X in Los Angeles, began writing lyrics immediately for demo tapes that Gilbert had sent him. Recording for their first album began quickly.

The band began the recording process in 1985, and Racer X’s debut album Street Lethal was released on January 1, 1986 on Mike Varney’s Shrapnel Records label.

With the release of Street Lethal, Paul Gilbert suddenly burst into the mainstream as one of the members of the Neoclassical genre, popularized by Randy Rhoads and Yngwie J. Malmsteen.

While Racer X was not playing neo-classical pieces as frequently as Rhoads or Malmsteen, Gilbert was often mentioned alongside Malmsteen and Rhoads in many guitar and music magazines. Gilbert acknowledged his debt to Malmsteen on the Street Lethal album with the neoclassical instrumental “Y.R.O.”. The title is an acronym for “Yngwie Rip Off”. He would repeat such a reference on a later song, “B.R.O.”, which stands for “Bach Rip Off”.

Racer X was rapidly becoming a popular live act on the Sunset Strip. Around this time, Gilbert secured an endorsement deal with Ibanez guitars, which continues to this day.

After Gilbert left for Mr. Big, other members also went on to other projects. Jeff Martin formed a short-lived outfit named Bad Dog with drummer Todd DeVito and former War & Peace and future Fight and Steel Panther guitarist Russ Parrish; the latter had also been part of Electric Fence, a side project featuring Martin and Paul Gilbert. Martin eventually went on to replace Eric Singer in Jake E. Lee’s band, Badlands.

After the demise of the final Racer X line-up, with former Roxanne vocalist Jamie Brown briefly taking over for Martin, Juan Alderete, Bruce Bouillet, and Scott Travis teamed up with former Angora vocalist John Corabi to form the band Black Cloud – which would later become The Scream.

The four played one show at the Troubadour before Travis received an offer from Judas Priest, who were looking to replace the recently departed Dave Holland. Jeff Martin, a friend of Judas Priest, relayed the message to Travis, who was ecstatic at the opportunity, and accepted the offer. Travis would go on to record several albums with Judas Priest, and remains a member of the band to this day.

Racer X guitar tabs