Nettoyer un site WordPress infecté par un script shell photo 1

Nettoyer un site WordPress infecté par un script shell

par · Lecture: 3 minutes

Il n’est pas rare de voir des sites WordPress infectés par des scripts shell, qui peuvent exploiter certaines failles du core WordPress, de plugins ou de thèmes.

Ces attaques de WordPress sont courantes et concernent les sites qui n’ont pas été protégés par un antivirus ou un plugin de sécurité comme iThemes Security.

Il peut donc arriver que certains malwares infestent votre site WordPress, de manière automatisée si certaines composantes (core, plugins, themes) ne sont pas mis à jour régulièrement.

La technique détaillée ci-dessous vous permet d’identifier et de supprimer ces fichiers dans vos dossiers WordPress.

Important: avant de commencer, faites une sauvegarde du site: fichiers et base de données.

Étape 1 : suppression des fichiers potentiellement infectés

Sur l’installation en question, ces fichiers n’appartiennent pas à WordPress ou sont infectés. Nous les supprimons à vue:

rm 1index.php index.php db.php del.php wikindex.phpLangage du code : CSS (css)

Nous supprimons également les répertoires wp-admin et wp-includes de WordPress car souvent des fichiers malfaisants sont copiés dedans:

rm wp-admin -rf
rm wp-includes -rf

Étape 2 : réinstallation de WordPress

On réinstalle WordPress:

wp core download --force --skip-content --locale=fr_FR --allow-root

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June, also known as Offred, standing close to Nick in The Handmaid’s Tale

The Handmaid’s Tale: Chapter 41 analysis

par · Lecture: 16 minutes
  1. The Handmaid’s Tale by Margaret Atwood: Gilead, power and resistance
  2. The Handmaid’s Tale: analysis of the opening chapter
  3. The Handmaid’s Tale Chapter 2 Analysis: Offred’s Room, Identity and Control
  4. The Handmaid’s Tale: Chapter 5 analysis
  5. The Handmaid’s Tale: Chapter 25 analysis
  6. The Handmaid’s Tale: Chapter 41 analysis

In chapter 41 of The Handmaid’s Tale, Offred pauses the story to reflect on storytelling itself. She apologises for the pain, fragmentation and disorder of her narrative, yet she also asserts her need to continue. This chapter is a turning point: Offred moves from survival through silence to survival through testimony, addressing an imagined reader and transforming narration into an act of resistance.

Chapter 41 is one of the most self-conscious chapters in Margaret Atwood’s novel. Instead of simply continuing the plot, Offred stops and reflects on the kind of story she is telling. She wishes the story were different, more orderly, more civilised and more flattering. Yet she cannot make it so without betraying what happened.

This pause matters because it reveals the ethics of Offred’s narration. Her story is fragmented because her life has been fragmented. It is painful because Gilead has made truth painful. It contains hesitation, gossip, uncertainty and repetition because totalitarian violence damages memory as well as bodies. Chapter 41 therefore turns narrative form into political evidence.

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Red and white tulips in a garden, echoing Serena Joy’s flowers in The Handmaid’s Tale

The Handmaid’s Tale: Chapter 25 analysis

par · Lecture: 18 minutes
  1. The Handmaid’s Tale by Margaret Atwood: Gilead, power and resistance
  2. The Handmaid’s Tale: analysis of the opening chapter
  3. The Handmaid’s Tale Chapter 2 Analysis: Offred’s Room, Identity and Control
  4. The Handmaid’s Tale: Chapter 5 analysis
  5. The Handmaid’s Tale: Chapter 25 analysis
  6. The Handmaid’s Tale: Chapter 41 analysis

In chapter 25 of The Handmaid’s Tale, Serena Joy’s garden becomes one of the novel’s most disturbing symbolic spaces. Tulips, irises, bleeding hearts, heat, scent and ripeness create an atmosphere of fertility and desire, while Serena’s shears introduce violence, control and symbolic castration. Through this garden, Offred begins to recover a dangerous awareness of her body, her desire and her capacity for inner resistance.

Chapter 25 is one of the most sensual and symbolically dense passages in Margaret Atwood’s novel. The scene focuses on Serena Joy’s garden, but the garden is never merely decorative. It becomes a living body, a forbidden theatre of desire and a counter-world to Gilead’s sterile ideology.

At first, the garden seems to oppose Gilead. It overflows with colour, scent, movement and fertility. However, the same space also reveals violence. Serena cuts seed pods with shears, Offred covets the tool, and the flowers become charged with images of bodies, sexuality and mutilation. The chapter therefore turns natural abundance into a political and psychological drama.

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