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Cider with Rosie by Laurie Lee : chapter analysis photo

Relatives in “Cider With Rosie” by Laurie Lee

  1. Cider with Rosie by Laurie Lee : chapter analysis
  2. Relatives in “Cider With Rosie” by Laurie Lee

Introduction

Laurie Lee belongs to a large family, due to his father’s two marriages.

The first time, his father got 8 kids but only 5 survived: Marjorie, Dorothy, Phyllis, Reggie and Harold.

The second time, with Laurie’s mother, he got 4 kids and just 3 survived: Laurie, Tony and Jack. There are 8 members in the family and Laurie is one of the youngest.

I. The 3 half-sisters

Marjorie: is the eldest. She’s a blonde Aphrodite. She’s tall, long-haired, and dreamily gentle, and her voice is low and slow.

She’s quite unconscious of the rarity of herself, moving always to measures of oblivious grace and wearing her beauty like a kind of sleep. (p.61-62)

Dorothy: is a wispy imp, pretty and perilous as a firework. She is an active forager who lives on thrills, provokes adventure, and brings home gossip.

She is agile as a jungle cat, quick-limbed, entrancing, and noisy. In repose, she is also something else: a fairy-tale girl, blue as a plum, tender and sentimental. (p.62)

Phyllis: is the youngest of the three. She’s a cool, quiet, tobacco-haired, fragile girl, who carries her good looks with an air of apology. She is an odd girl, an unclassified solitary, compelled to her own devices, quick to admire and slow to complain. (p.62-63)

Lire la suite

The Short-Story and the Novel photo

The Short Story and the Novel

Introduction

The Short Story appeared in the 19th century, inherited from tales and narratives. As Edgar Allan Poe stated, a Short Story must have a “unity of impression, of totality and of single effect”.

It could be compared to poetry: consciousness, inner life, and the end of the story subjected to many interpretations lead to a sudden illumination from the part of the reader: at a certain point, this latter understands everything.

The Novel is based on a principle of disgression whereas the short story is based on compression. In the short story, there are no useless details and everything is important: one single detail can deeply affect a character and have many consequences on the plot.

The short story is short (!) but tends to go thoroughly into the characters’ minds. The spiritual and inner quest, as well as the closed spaces, are necessary to the achievement of the plot: there is often a scheme of circularity, ie we always go back to the beginning, even if it has changed.

The final situation is the sum of the initial situation mixed up with transformations, either affecting the character himself or his surrounding.

The Short Story and the Novel

Length : A short story is short and a novel is relatively long.

The term ” short story ” is normally applied to works of fiction from one thousand to fifteen thousand words.

Novels are generally thought of containing about forty-five thousand words or more. The short story is neither a truncated novel nor a part of an unwritten novel.

Edgar Allan Poe settled the matter of a short story’s length when he said it should be short enough to be read in one sitting.

Poe also said the story should be long enough to produce the desired effect on the reader.

Intensity

The plot of the short story will often turn on a single incident that takes on great significance for the characters.

The art of Poe depends for success on intensity and purity of emotional effect based on rigorous selection and arrangement of materials and on intensity and purity of emotional effect. Poe aimed at a sublimation of terror.

Development implies time, and the writer of a short story has little time at his disposal.

Therefore, characters seldom develop in the short story. Rather, they are revealed to us.

Glossary of film terms

Angle
The position of the camera in order to show a certain scene. A camera may be placed
straight on to a scene, at a side angle, high angle or low angle.

Camera movement
– a dolly shot: the camera and the base to which it is affixed move toward or away from a stationary object.
– a tracking shot: the camera moves behind or ahead of a moving person or object.
– a crane shot: the camera moves up or down on an automatic crane.
– a pan: the camera moves left or right on a fixed base.
– a tilt: the camera moves up or down.

Close-up
A shot which shows a limited and magnified view of a character or an object. It usually has a psychological, dramatic or symbolic value.

Deep-focus
The immediate foreground and the deepest parts of the background are in clear focus.

Dissolve
Gradual transition from one scene to another.

High-angle shot
A shot which looks down upon a scene or a character.

Long shot
A shot which provides a wide-angle view of a scene.

Low-angle shot
A shot which looks up at a character (object or scene).

Medium shot
Shows the object from waist up.

Voice over
Film narration/commentary in which the speaker remains unseen.

French equivalences

Dolly shotplan ou prises de vues en travelling.
Tracking shottravelling (objet ou personne filmé en mouvement).
Crane shotprise de vues sur grue.
Panpanoramique horizontal.
Tiltpanoramique vertical.
Deep focusprofondeur de champ.
Dissolvefondu enchaîné.
High-angle shotplongée.
Low-angle shotcontre-plongée.
Close-upgros plan.
Close shotplan rapproché
Medium close shotplan Américain.
Medium shotplan moyen.
Medium long shotplan de demi ensemble.
Long shotplan d’ensemble.