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Voici la quatrième et ultime saison de Mad Dogs, composée de seulement deux épisodes, diffusée sur Sky1.

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Intitulée “Mad Dogs : The Finale”, cette dernière saison est donc la fin du périple pour Woody (Max Beesley), Quinn (Philip Glenister), Baxter (John Simm) et Rick (Marc Warren).

Tout a commencé quand ce groupe d’amis s’est rendu à Majorque (saison 1) pour célébrer la retraite anticipée du cinquième de la bande. Ces vacances se sont transformées en cauchemar pour le groupe qui s’est retrouvé alors mêler à une affaire qui les dépassait où se mêlaient flics corrompus, drogues meurtres, chantages. Cela les a entrainés à Ibiza (saison 2), puis en Afrique (saison 3).

Pour cette ultime saison, le groupe d’amis retourne enfin en Angleterre, mais il leur est impossible de reprendre une vie normale. Quand Rick pense avoir trouvé une solution financière, il va de soi que cela ne va pas tourner rond.

Les vacances infernales de Woody (Max Beesley), Quinn (Philip Glenister), Rick (Marc Warren) et Baxter (John Simm) ne sont toujours pas terminées : Mad Dogs reprend pour une troisième saison sur Sky.

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Le repos et la récupération ne sont définitivement pas au programme : les quatre amis finissent dans une prison délabrée au beau milieu d’un désert aride.

Ressemblants à des prisonniers de Guantanamo Bay, les gars sont interrogés par leurs mystérieux kidnappers et se font violemment attaquer par un autre prisonnier qui s’appelle Mercedes (Jaime Winstone).

Et pour couronner le tout, ils apprennent que des criminels psychotiques cherchent à les assassiner…

Voici la seconde saison – extrêmement attendue! – de Mad Dogs.

On reprend là où nous en étions à la fin de la première saison. Baxter, Rick et Woody sauvent la vie de Quinn en renversant Dominic avec leur voiture.

Les quatre amis quittent l’île avec le ferry pour Barcelona pour rejoindre l’Angleterre. Mais ils se trompent de ferry et débarquent à Ibiza. Baxter révèle alors qu’il a emmené l’argent avec lui.

Mad Dogs, diffusée sur la BBC, nous raconte l’histoire de quatre amis d’enfance, maintenant dans la quarantaine.

Quinn (Philip Glenister), Baxter (John Simm), Woody (Max Beesley) et Rick (Marc Warren) pensent qu’ils vont s’amuser au soleil chez leur ami Alvo (Ben Chaplin), qui possède une villa luxueuse à Majorque, en Espagne.

Mais rien ne se passe comme prévu et les évènements s’enchaînent sans qu’ils ne puissent faire grand chose pour éviter le pire.

Organized Crime in America (1929 – 1951)

1929: Wall Street crash, which forced gangsters to find a new way of making money in a time of recession. 1951: middle of the Cold War.

Kefauver hearings started the huge mystification of the Mafia, discovering that organized crime was still on in the U.S. First TV debates on organized crime.

In history, gangsters and Organized Crime did exist. Between history and culture, there are matters of ideology: in what way does that interact with what was seen on screen?

Presence of censorship and self-regulation for films. Sometimes people wanted to ban or censor gangster films: interactions between politics, culture and crime. Movies influenced the war against crime.

The history of Hollywood is that of people for and against those movies. Creation of compromises: “production code” (not censorship) to see what people disliked and to escape post-censorship.

But how censorship is possible in the US ? (c.f. the first Americans and the liberty of expression). It was considered as a commercial venture. A way of skirting the censorship was to show 2 shots to see a person killed instead of one (the latter was prohibited).

The Asphalt Jungle

[8 minutes after the beginning]

Career of a famous gangster, Rocky Sullivan. Idea of compressing several years in 7 minutes. The text and the images are superposed. Importance of the music. Repetition of sequences:

  • first evocation of a juvenile gangster.
  • then evocation of a famous gangster (wives, champagne, club). Glamorous life of the gangster

Relentlessness of the law: he stole fountain pens and was sentenced for 30 years. Then, when he became a big gangster, he was always acquitted.

Criticism of the American judicial law, which was tough on petty criminals and lenient on gangsters (due to corruption). Such a movie was commenting the history of the time but was also critical on the America of the 1930’s.

Scarface

[middle]

Two identical shots of the scene (medium shots). Gangsters are not colorful people. This movie cannot try to counteract the image of the media.

A certain amount of violence was accepted only if there were more “normal” scenes (like the dialogues at the police station, at the newspaper’s office…). 2 endings: 2 audiences.

Different modes of communication

The film breaks down the image that each institution had constructed by revealing it. Films might hold contradictory messages.

They are ambivalent and we might not know what to think: there is no single message. We do not have the same vision of violence as the people of the time: violence is different and also depends on social levels, countries…

Writing belongs to a digital mode of communication. It is digital because it has no objective connection between the meaning and the word.

There is an arbitrary relation between the signifier and the signified (e.g. “cat” and the real cat). But the connection between the image of a cat and the word cat is analogical. You de-code a novel. With a film, you see first and think later. Movies are a mechanical reproduction of image, sound, and movement.

The digital mode of communication is more complex and requires more capacity for abstraction. One word can mean a whole conception.

The analogical mode of communication is on the side of establishing relationship between foreground and background, between what comes before and after.

The act of reading is different to that of seeing a film. The reader controls the reading (can stop, skip..) whereas in he 1930’s you could not do the same with the films.

You could not control the time of viewing. When you see a movie you imagine more or less but you see more. The whole world of the movie is unreal. The perceptions are real but what is showed is unreal (fiction). A movie puts the viewer in a semi-hypnotic state.

With the manipulation of time, scale (close-ups, long shots..), it creates a distortion of perception. The spectator is supposed to be passive: yet, people would never go to the movie if they did not think it was made for them. Dialogues have to be very understandable. Completely artificial and yet it looks natural.

Definition of the Organized Crime

It is non ideological. According to Abadinsky, it is a hierarchy with a limited or exclusive membership. It perpetuates itself and is characterized by the willingness to use illegal violence and bribery.

It is specialized in the division of labor, is monopolistic and governed by explicit rules and regulations :

– non-ideological : based on power and money.

– hierarchy : head of a Mafia family.

– membership : does not concern all types of crimes.

– perpetuates : c.f. the Asphalt Jungle: people getting together for a big hold up and trying to part together afterward.

– illegal violence and bribery: important for organized crime, an essential part of gangster movies. It showed that America was corrupted.

– division of labor : organized crime is an economic unit. Each gang wants to have a complete monopoly in its area, hence gang fights in Chicago: you cannot share the place. Also characteristic of American capitalism.

– rules and regulations : connected with hierarchy. Loyalty is very important.

NOTE: all movies dealing with crime do not deal with organized crime.

It is easy to say that foreigners were responsible for crime and that America would be better if cleared out. America is (was) a big myth: the land of freedom and opportunity for all.

The first immigrants lived in ghettos, unemployed, and were submitted to other harsh treatment by the American population. They organized along ethnic lines because America failed to integrate the first generation of immigrants.

Sommaire de la série Organized Crime in America during the Prohibition (1929-1951)

  1. Evolution of Organized Crime
  2. Organized Crime : Expression and Repression
  3. Organized Crime and the Prohibition
  4. Organized Crime in America
  5. Organized Crime: Repression and Censorship

The Black DonnellysThe Black Donnellys est une série de la chaîne NBC qui narre les exploits de quatre frères de la classe ouvrière à New York et leur implication dans le crime organisé face aux différents gangs.

Les frères Donnelly, au nombre de 4, sont prêts à tout pour se protéger les uns les autres, même à mentir, tricher, voler ou tuer. Par ordre d’importance, nous avons Tommy (Jonathan Tucker), Jimmy (Tom Guiry), Kevin (Billy Lush) et Sean (Michael Stahl-David).

L’histoire est racontée par une tierce personne, l’aspirant gangster Joey “Ice Cream” (Keith Nobbs), au moment même où les Donnelly s’apprêtent à faire leurs premiers pas dans le crime organisé.