Family in Death of a Salesman
In an article, Arthur Miller insisted that all “great plays” finally grapple with one central issue: “how may a man make of the outside world a home?”.
In an article, Arthur Miller insisted that all “great plays” finally grapple with one central issue: “how may a man make of the outside world a home?”.
Many critics have debated the tragic dimension in Death of a Salesman: the notion of genre, and the response of mankind to rapid technological advance.
If the external plot of Death of a Salesman may be divided into chronological sequences, the internal plot may not: Willy’s stream of consciousness.
In Death of a Salesman, the spectator is plunged into the main character’s head. There is no linear onward progression but uninterrupted dramatic tension.
Explore American literature through its major periods, authors, works and themes, from Puritan writing to Gatsby, modernism and American drama.