Cider with Rosie by Laurie Lee : chapter analysis photo

Cider with Rosie by Laurie Lee : chapter analysis

  1. Cider with Rosie by Laurie Lee : chapter analysis
  2. Relatives in “Cider With Rosie” by Laurie Lee

Here is an analysis of each chapter in Cider with Rosie by Laurie Lee.

A general summary

In Cider with Rosie, Laurie Lee recalls his childhood and adolescence. He was one of seven children in a close family headed by his mother: he grew up in England, in a Cotswold village governed by tradition.

The book is organised in accord with his early exploration of his widening world. He examines his infant sensations, his cottage, his yard, his village and Cotswold Valley, then local superstitions, village education, his neighbours, public tragedies, private life stories, his childhood games, village celebrations, sexual initiations, and the eventual changes as his childhood, his close family life, and the traditional village life pass away forever.

Chapter 1: First Light

In this chapter, Lee gives a three-year-old’s perceptions and misconceptions: small about objects around him, Laurie crawls among “forests” of household objects and he believes autumn is a season and the war’s end means the end of the world. Lee uses metaphors and similes (often of water) to communicate the child’s sense of adventure.

This chapter introduces most of the themes that will be developed in the story throughout the different episodes of Laurie’s childhood: the importance of family ties, the constant presence and role of the women in his own development and the absence of a father, the magic in the world surrounding him causing numerous fears, the importance of the seasons and the overwhelming presence of nature and death.

Chapter 2: First Names

The second chapter is divided into three sections. It begins in a dark winter with peace and the men returning from war and it ends in the “long hot summer of 1921”. It roughly has to do with night-time feelings: dreams, terrors and superstitions.

The village legends: ignorance and superstition were common features shared by all the people of the village, and they led them to fear a world which seemed unpredictable and was governed by magic laws. Some animals or natural phenomena were given a particular meaning and there were ill omens that brought bad luck to those who crossed their path.

The village freaks: the freaks such as Cabbage Stump Charlie, Albert the Devil, Percy from Painswick… were all more or less physically or mentally peculiar. The reader might be surprised at the number of handicapped people who populate the area.

This phenomenon could be explained by the fact that there was so great mixing of the population, which led to the problem of consanguinity. Besides, diseases and malnutrition must have led to further handicaps. These freaks with their “cartoon” nicknames were probably the most striking and frightening people whom the little boy had heard of or seen in his narrow world.

The flood: the chapter ends then with another apocalyptic scene: the flood following a particularly dry summer. This part enables the narrator to emphasize the role religion played for the villagers at that time.

In their eyes, the world was driven by magic forces that could be influenced, either by appeals to god, the Christian God or if this did not work, by resorting to other methods: “As the drought continued, prayer was abandoned and more devilish steps adopted”.

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Parkway Drive - The Cruise photo

Parkway Drive – The Cruise

Parkway Drive est un groupe australien de metalcore, formé en 2002. Le nom du groupe vient de celui de la rue dans laquelle se trouve la maison d’un des membres (la cave servant de local de répétition), à Byron Bay, en Nouvelle-Galles du Sud (NSW).

Peu de temps après sa formation, le groupe effectue un split avec le groupe de metalcore I Killed the Prom Queen, en 2003.

Parkway Drive apparaît également sur la compilation de The Red Sea : What We’ve Built, peu de temps avant la sortie de son premier EP, Don’t Close Your Eyes.

Sur Don’t Close Your Eyes, on peut retrouver une chanson interlude instrumentale qui s’intitule The Cruise:

Appréciez le bruit du ressac avec la ligne mélodique des deux guitares.

Mais pourquoi donc une chanson chill sur un album de metal me direz-vous ?

Et bien tout simplement parce que dans les années 80, 90 et 2000, quasiment tous les albums un peu heavy avaient une chanson chill pour pouvoir fumer des substances illicites.

Étonnant non ?

Coup de coeur : Greta Van Fleet photo 1

Coup de coeur : Greta Van Fleet

Greta Van Fleet est un groupe de rock américain, originaire de Frankenmuth, dans le Michigan.

Il est formé en 2012, par les frères Josh Kiszka, Jake Kiszka, Sam Kiszka et Kyle Hauck (remplacé par Danny Wagner en 2013).

Il suffit d’écouter quelques titres comme Safari Song :

et vous allez immédiatement trouver leurs sources d’inspiration et leurs influences classic rock millésimées !

Une voix à la Robert Plant, des riffs lourds comme les morceaux de Led Zeppelin I, des break de batteries à la John Bonham… il est difficile de ne pas y voir un hommage aux années 60 et 70.

Même Robert Plant les a remarqué :

“There’s a band in Detroit called Greta Van Fleet. They are Led Zeppelin I,” Plant told Loudwire. “Beautiful little singer, I hate him! He borrowed [his voice] from somebody I know very well, but what are you going to do? At least he’s got a bit of style, because he’s said he based his whole style on Aerosmith [eye roll].”

Greta Van Fleet revendique ses influences et Jake est d’accord avec Robert Plant :

“We have certain debut records that are like benchmarks to us—Van Halen’s first record, Zeppelin’s first, even the Black Crowes’ Shake Your Money Maker. Those records really seemed to sum up each band so well. Those albums are like the gold standard, and they give us something to shoot for. It’s like, ‘Can we be that good?’”

Même l’alien et guitar-hero Joe Satriani a déclaré sur NJ Arts être devenu fan de Greta Van Fleet quasi-immédiatement :

“I’ve been listening to this young band, Greta Van Fleet, and I’m really enjoying that exuberance that I’m hearing. When I first heard them, I sent their album to all my friends that were in my high-school band. We’re still good friends and we stay in touch and, I swear, that’s what we were trying to do when we were 15 years old.

We were just trying to be like Led Zeppelin, Black Sabbath and The Stones, but these guys are really good at it! [Laughs] They have that same kind of… it just sounds like they love music and they love what they’re doing and yeah, I’ve been listening to that quite a bit.”

J’écris cet article en écoutant leur album, intitulé From the Fires et je peux vous dire que si vous aimez Led Zeppelin, vous allez vraiment apprécier cet album.

On est à des années lumières de la musique actuelle et c’est une vraie cure de jouvence pour les oreilles.

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