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Introduction to "Macbeth" photo

Introduction to Macbeth

Macbeth was written by Shakespeare between 1603 and 1606, between Caesar and Hamlet. It is the story of a murderer and usurper, like Richard III or Claudius (Hamlet) from crime to crime to achieve security. Macbeth is a villain but a more humanized character compared to Richard.

Macbeth is a noble and gifted man. He chooses treachery and crime, knows them for what they are and is totally aware he is doing evil. Evil is concentrated in Macbeth and Lady Macbeth who are influenced by the Weird Sisters.

The play examines the possibilities of evil and centres on the villain-hero. We find good only in secondary characters like Duncan or Malcolm. Macduff is the righteous character. Macbeth is a tyrant (Cf Richard III) and Malcolm will be the good king (Cf Richmond).

The supernatural powers are represented by the Weird Sisters and Hecate, standing for the side of evil (disorder) and by the King of England, standing for the side of good (order). The symbolism is obvious: it is light versus darkness, angels Vs devils and heaven Vs hell.

The character of Macbeth is interesting because he is fully conscious of the horror of his deeds. Indeed, we learn in the beginning of his soliloquies that he knows very well what is good: in Act I, sc2, l.13, there is an enumeration of all reasons why he should not kill Duncan. Macbeth is tortured between his erected wit and his infected will.

Macbeth is the story of the temptation of a good man by witches. It is comparable to Adam and Eve with the Serpent. Lady Macbeth is the one who is really tempted.

There is also a sort of philosophical issue: Macbeth is a brave soldier but a moral coward too: he is a brutal murderer feeling guilty. It is a moral dimension that does not exist in Richard III.

The play is therefore more subtle since we find the presence of evil in the virtuous and of good in the wicked. It is not a manichean word: “our life is a mingled yarn, good and evil together” (All’s Well that Ends Well).

The Thane of Cawdor is a traitor and he dies in I,4. But we learn that even the wicked can have virtue through repentance. It announces the other side.

The fundamental moral issue is that evil is made possible because of man’s free will. Moral damnation is possible because man has understanding and can make the difference between good and evil.

Awareness and clairvoyance make moral judgements possible. Macbeth is perfectly aware and morally conscious. The tragedy lies all in both being aware and being courageous -it is the fate of the tragic hero.

Macbeth is not a manichean vision of man. Richard III is the villain as hero but Macbeth is the hero who becomes a villain.

The emphasis is on the process of turning evil. Hence, it is fundamental that, from the start, Macbeth should be presented as a hero: “for brave Macbeth” (I, 2, 16).

At first, he is a very brave soldier but he is ambitious and wants to satisfy his wife who is even more ambitious. He will seize the opportunity to get the crown. But he made a misjudgment between temporal good (crown) and eternal good (heaven). Macbeth has awareness but his judgement is weak: he is very much influenced by his wife.

Shakespeare decided to show the steps by which a noble man is made to his damnation, to depict a man lured by evil. The more evil Macbeth is, the more isolated he becomes.

Shakespeare could not show a devil at the time of the Renaissance (for it was considered as comical at that time) so he showed witches instead, who were human beings that had given their souls to the Devil).

Witches are not naturally evil. They have to become evil, just like Macbeth. Like Parcae, the three sisters are weaving human destiny. They represent fate and humans who have become evil. They know the past, govern the present and can foresee the future.

They appear at the beginning, announce Macbeth’s rise and finally his fall: mainly at strategic moments. They only tempt Macbeth because he is ambitious and responsible. Ambition and his wife’s influence will lead him to murder Duncan. Everything is motivated by fear.

The ultimate evil is always a child murderer. Banquo is killed because he represented a living reproach for Macbeth: Banquo did not yield to temptation and remained loyal. It is a vicious circle for Macbeth: after murdering Duncan, he has to murder Banquo. Macbeth’s solitude increases with the number of crimes.

The recurrent idea in Macbeth is that the more you fall into evil, the less free you are. Indeed, Macbeth has less and less choice. He has to do evil and he feels less and less guilty by doing so. Guilt was good because it showed him the difference between good and evil. Macbeth’s will is infected.

Lady Macbeth is less aware of this difference between good and evil. At the end, when consciousness comes back to her, she tries to wash her hands during her sleep, just like Pontius Pilate. It is interesting to notice that sleepwalking was a sign of possession by the Devil in Shakespeare’s times.

Lord Jim by Joseph Conrad : "A free and wandering tale" photo

Lord Jim: how is Conrad’s first-hand experience of seamanship perceptible throughout the Patna episode ?

Conrad was a sailor and gave us a flavour of seamanship: read ch1-20, there are segments that should not be missed.

In Youth (1828), Conrad wrote a fiction based on his first-hand experience as first mate on board a ship called the “Palestine”. He was directly involved in an incident: the Palestine caught fire and the team, including Conrad, were obliged to abandon the ship.

A trial took place and the team was cleared because they had done everything they could. In Youth, Conrad’s double was a character that he called Marlow: it was the first time Marlow was introduced. In Lord Jim, Conrad is not directly involved.

The Jeddah incident was the model of the Patna (p319-358): Conrad intertwines facts and fiction in osmosis.

“the pilgrims of an exacting faith” (p15): indicate a harsh religion, they are obliged to go to Mecca at least once in a lifetime. The voyage takes place in horrendous conditions: every deck is packed (children, women, men). People are suffering from heat and promiscuous conditions.

The team knows of other conditions: debauchery and absence of morals. There is an opposition between the East (the pilgrims) and the West (Europeans).

The “unconscious crowd”: trust the white man and the ship. Dramatic irony, the ship is everything but safe.

“Unconscious believers” seem to be doomed to die. The irony lays in the fact they are doomed to survive. They will prove to be right in their belief and will be saved in the end.

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Lord Jim by Joseph Conrad : "A free and wandering tale" photo

Lord Jim by Joseph Conrad : “A free and wandering tale”

Introduction

“A free and wandering tale” about “the acute consciousness of lost honour”. Lord Jim is not a simple book that could be called novel: this is too reductive.

From a technical point of view, it is an idealistic image, a Jamesonian novel. Conrad tries to innovate by rejecting Victorian methods of writing and patterns.

In an essay called “The New Novel” (1914), Henry James tries to analyze Conrad’s complexity: “Conrad’s first care is explicitly to set up a reciter, a definite responsible first person singular, possessed of infinite sources of reference who immediately precedes to set up another to the end that this other may conform again to the practice”.

Conrad’s mark resides in a series of embedded testimonies. The narrative complexity brings about mystery and elusiveness as if nothing could be pinned down.

E.M. Forster’s try to give a definition of elusiveness: “What is so elusive about him is that he’s always promising to make some general philosophic statement about the universe and then refraining. […]. He is misty in the middle as well as at the edges.”

Conrad was never understood by his contemporaries, for instance Virginia Woolf said:
Mr Conrad is a Pole, which sets him apart and makes him however admirable not very helpful.” (helpful on the reflection on the English novel).

James coughed at Conrad’s technique and compared his situation of elocution to buckets of water being passed on for the improvised extinction of a fire, before reaching our apprehension. In a nutshell, Conrad creates a sense of suspense but it’s like it’s created for nothing because the end does not live up to the promises.

Thus, Conrad’s fiction writing, consisting of the adding-up of novelties, was ignored by Virginia Woolf. Why rejecting Conrad? Conrad testifies to a complexity of influences which may be what his contemporaries failed. He is a crucible of different influences.

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