Washington Irving: evolution, nostalgia and imaginary compensation
Irving was not under the influence of sentimentalism or romanticism, the two big influences of that time. In a way, he was the perfect incarnation of the American early literary development. He was a figure of literary transition in a society where American literature was still a hybrid.
Irving’s artistic opinions and his style changed dramatically over time but we can detect certain opinions and thematic elements that dominate his early as well as his later works.
One of the most important things about Irving is the nostalgic consciousness of change and the evanescence of things and people. This melancholic sensibility is to be found in all his works.
Other distinctive aspects of Irving’s writings are:
- The transformation of material reality through fantasy and imagination. Such a transformation allows the author to represent reality as a fable.
- The use of humour: human enterprises as trivial and ridiculous (cynicism and bitterness).
- The use of sentimentalism to describe scenes and characters.
On the whole, Irving emphasizes narration and description rather than analysis and criticism. This choice can be explained for he did not consider his prose as an expression of political or cultural positions (consciously).
Irving started his literary career writing satirical pieces of journalism about the New York cultural and social scene, especially about the Theater circles. We can see that his humour and his early satire were a collage of rational criticism, nonsense humour and irony.
In his satirical works, he turned all human beings into fools including the writer himself: that’s self-reference (makes funny comments about himself as a writer), a very modern way of writing.
He gave full expression to the sense of his satires and historiographies (history in a novel or historical books); it showed his sharp sense of satire.